Atelier Gratia’s Star Dwelling is a monolithic concrete family composition that stands out of the Kaohsiung’s city panorama

Kaohsiung, Taiwan

“Completely different residing quarters are linked like stars in a constellation via intermediary areas that supply buffers and transitions, by which a equilibrium amongst family unity and distinctive privateness might be maintained,” suggests Grace Ming-En Chang, lead architect of Atelier Gratia.

Atelier Gratia’s Star Dwelling is a monolithic concrete family composition that stands out of the Kaohsiung’s city panorama

“The property is sort of a massive sundial the place the passing time and altering seasons are noticed: planetary actions are regularly felt by the use of the ever-changing shadows collaborating in beneath the skylights, though the hues of the sky are captured on the kaleidoscopic surfaces of the panoramic glass façades that wrap all-around the courtyard.”

Grace Ming-En Chang of Atelier Gratia has designed a family creating constructed of concrete in the course of the metropolis of Kaohsiung, located in an angular, loosely star-formed plot from which the enterprise has acquired its establish.

A sanctuary shielded by a monolithic concrete mass in a dense neighborhood, the design and elegance of Star Property revolves concerning the idea of the celebs, by which reflection, refraction and triangulation are the recurring themes.

Star House by Atelier Gratia

The Star Property has a central courtyard framed by quite a few smaller sized patios that dot the ground technique of the 4 numerous tales, opening up the interiors, while producing connections and in-between spots.

It attributes a potent aesthetic, its amount diligently crafted in angular concrete, which cuts a daring type in family streets.

The concrete’s roughness is complemented by swathes of glass, which let the home to visually circulation, as correctly as timber.

Mission: StarHouse
Architects: Atelier Gratia
Direct Architect: Grace Ming-En Chang
Shoppers: Sheng-Lee Chang and Hui-Ying Yan
Photographers: Yi-Hsien Lee

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